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London
Classical Review
Die Zauberflote,
ROH
Royal
Opera House
Covent Garden WC2E 9DD
Tube: Covent Garden
14 Feb - 3 Mar 2005

The Playful Mystic
Mozart's most popular opera takes on a playful mysticism through
Director David McVicar and a collection of new and old talents.
Under
the classical premise of the distressed damsel and man's magical
journey, Die Zauberflote cracks open the hidden code of the enlightened
Masons, while still resounding in the playful interpretations of
Director David McVicar.
Written
during a time of puritanical solemnity, Mozart's Die Zauberflote
offers a magical twist on morals and thought, and this production
does well in emphasizing it, through intricate costuming and John
McFarlane's simple yet eccentric set design. The traditional costuming
mixes with flying machines, fantastic orbs and imaginary forests,
bringing the enchanted theology of the Masons to today's theatre
audiences.
The
greatest surprise in performances were the endearing Three Boys
- Robert Grisbrook, Andrew Bullmore and Jamie Manton - whose well-weighted
harmonies and transparent voices weighed far beyond their elementary
years. Captivating as well was Anna-Kristiina Kaappola, Queen of
the Night, who was elegant and technically exceptional, gliding
through some of Mozart's most remarkable vocal pieces.
Die
Zauberflote is a welcome production for this spring season, with
Mozart faithfully accompanying the end of London rain and cold,
and hopefully a quick ascent into enlightened summer.
Megan M. Retka
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