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LONDON GUIDE

LondonNet Art Review

A Broadening Spirit
Covering the wide span of a thousand years, the RAA explores the highly spiritual and spirited culture of the Turks
.


Turks - A Journey of a Thousand Years, 600-1600
Royal Academy of Arts
Date: 22 Jan - 12 April 2005
Times: 10am - 6pm daily (last admission 5:30pm)
Late night openings: Friday and Saturdays until 10pm (last admission 9:30), except 12 March.
Prices: UKP11; UKP9 seniors & disabled; UKP7 NUS/ISIC card holders; UKP4 12 - 18 years and income support; UKP3 8-11 years; 7 and under free.

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Photo: Hadiye CangokceGlass cases enclose the gold-leafed script of the Koran, detailed finely on thin sheets of paper; rugs woven in tiny red, green and black silks adorn the walls; jugs bejewelled and etched elaborately are lined up in neat rows, and it is easy to sense the spirituality, interlaced deeply into Turk culture, and transforming through the centuries.

The RAA exhibit, heavily sponsored by Turkish petroleum giant Aygaz, the Turkish Garanti Bank and metal producer Corus, pulls together more than 350 works, borrowed from the Topkapi Saray Museum and the Museum of Turkish and Islamic Art of Istanbul. This is the first ever exhibit to solely focus on the development of Turkish culture, and a number of the works have never been exhibited outside of Turkey.

Starting with the nomadic Uyghurs, of the 7th century, the exhibit begins with the silk trade, highlighting the variety of religions within the region through texts and textiles. The Seljuks then, around the 11th century, place the first large influence on Turkish culture. As Sunni Muslims, the Seljuks incorporated the traditional ways of Muslim life, in government and institution and as seen through texts and the well-known 'moon-face' persona, typical of Persian poetry.

Seen in elegant manuscripts, an entirely new visual language materialised during the great reign of Timur in 1370, when Timur centralised religion and focused on a more centralised lifestyle. Portraits of Timur, as in most leaders, show him riding in on white horse, majesty tied around his saddle in the likes of colourful battle gear.

The focus then moves finally towards the Ottomans, who slowly grabbed the reigns of the Turks after Timur's death, at the beginning of the 15th century. Seizing Constantinople during the reign of Mehmed II, the Turks received another burst of inspiration in the world of arts and literature, shown by the richly lavish portraits and highly extravagant jugs, urns and swords wrought by Turks under the Ottomans.

Through the wide spectrum of historical context and religious rule, this exhibit provides an intimate peek into the evolution of Islamic arts, from the heart of Persia. It displays a closeness to spirituality and a resolve of culture that perseveres today.

Megan M. Retka

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