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Film Details:
Ice Age 2: The Meltdown (U)
Family(2006)
90mins US
Director: Carlos Saldanha
Starring: Ray Romano, John Leguizamo, Denis Leary, Queen Latifah

LondonNet Film Review

Easter Thaw
Bring the little chickadees to Ice Age 2: The Meltdown during Easter break, and they'll be the ones laughing...

Ice Age 2: The MeltdownIgnorance is bliss, especially for the computer-animated creatures in Ice Age 2: The Meltdown, Carlos Saldanha's energetic family adventure that will probably leave older audiences feeling a tad chilly.

The big freeze is coming to an end and the four-legged denizens are delighted by the newly-formed water features in the melting paradise that is their world. Little do the critters realize that the towering wall of ice that encircles the valley is acting like a dam, holding back the floodwaters. When armadillo con artist Fast Tony (voiced by Jay Leno) lets the proverbial cat out of the bag, pandemonium ensures, and Manny the woolly mammoth (Ray Romano), Sid the sloth (John Leguizamo) and Diego the sabre-toothed tiger (Denis Leary) join the mass exodus to escape the imminent deluge. En route, the dysfunctional trio meets the one surviving female mammoth Ellie (Queen Latifah), who thinks she is a possum, and her mischievous "brothers" Crash (Seann William Scott) and Eddie (Josh Peck). The group heads for higher ground, followed every step of the way by Cretaceous and Maelstrom, a pair of prehistoric reptiles, who have defrosted from their icy prison and are now hungry for fresh meat.

As in the original Ice Age, the fractured central storyline is neatly book-marked by comical interludes with Scrat the sabre-toothed squirrel in relentless pursuit of a tasty acorn. These hysterical sequences range from the deceptively simple (Scrat using a tree branch to pole-vault across a crevasse) to deliriously elaborate affairs, both above and below the ice floes. Invariably, all of the tenacious critter's exertions end in failure, with the acorn slipping through his tiny claws. Bless.

Director Saldanha and his team opt for a series of polished set pieces rather than a fluid and coherent narrative, developing the characters in only the most simplistic terms. Manny and Ellie's romantic subplot is pure treacle by the closing credits; valuable life lessons - overcome your fears, cherish your friends, believe in yourself - underpin every scene.

Peter Gaulke, Gerry Swallow and Jim Hecht's screenplay plies obvious puns and word play ("Don't that put the stink in extinct!"), with surprisingly few pop culture references. Humour is skewed very young, delighting in Sid's bodily functions ("I did something involuntary... and messy!") and the misfortune of a character getting its tongue stuck to the ice, then swinging, bungee-style, from the distended pink muscle.

The quality of the computer animation has improved immeasurably from the first film, especially in the small details like the movement of the mammoths' fur in the breeze or the way light refracts through a melting icicle. Characters possess realistic weight and inertia, but are still cartoonish enough that Diego is a cute puddycat rather than ferocious predator. Some of the water effects, however, are less than convincing and the spectacular finale, with floodwaters racing through the valley, isn't remotely jaw-dropping.

- Heather VonBourne



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